Literacy Now

Children's & YA Literacy
ILA Membership
ILA Next
ILA Journals
ILA Membership
ILA Next
ILA Journals
  • Smaller
    • Reading
    • Special Education Teacher
    • Job Functions
    • Librarian
    • Foundational Skills
    • Classroom Teacher
    • Topics
    • Content Types
    • Children's & YA Literature
    • Blog Posts

    Please RSVP: Inviting Children's Picturebooks Back Into the Classroom

    Sonja Ezell
     | Sep 17, 2025
    Elementary school teacher reading a picturebook to students
    At the ringing of the bell, students are corralled from their desks and asked to join their teacher at the front of the room. A captivating selection of children’s picturebooks housed in the woven book basket located at the front of the room excites the community of readers. 

    Sitting on the colorful classroom carpet, legs crisscrossing and awe in their eyes, the last gentle kinesthetic reminder and sound of shh gives way to stark silence. The young students gaze intently at the children’s picturebook their teacher is displaying at the front of the room and the lingering anticipation invokes curiosity.

    Children's picturebooks share the tales, narratives, and experiences of friends, families, and familiar places. They feature various genres and themes that invite exploration, wonder, and the circumspect to solve complex, challenging problems. Children's picturebooks unlock both fictional settings and informational ecosystems and habitats. 

    When quality children’s picturebooks—like those selected from the Newbery Award, the Caldecott Medal, or ILA’s Children’s Book Awards List—are coupled with powerful literacy practices such as think-turn-talk, asking questions, and written a-ha moments on sticky notes, we can capture inquisitiveness and shoulder-to-shoulder student conversations and use that to weave an awe-inspiring learning environment. 

    During the instructional literacy block, teachers have the opportunity to deliver small group instruction with an independent reading center featuring self-selected children’s picturebooks to build an interconnected reading community that honors courage, kindness, and empathy as the goals of literacy. The magical moments that are captured and presented within the pages of children’s picturebooks can spring from honorable guest readers, brought to life by digital recordings of celebrities performing readings, whisper-read in the literacy station, or vocalized as a dramatic teacher read aloud.

    In today’s classroom, the most frequently read children’s picturebooks are approximately 25 years old. Circulating contemporary conversations capture that children’s picturebooks have a crowd, a crown, and the complex, complicated need for a champion.

    Mirrors, windows, and sliding glass doors

    Children’s picturebooks can craft a world of self-reflection, help readers develop empathy, and provide the foundation for project-based learning. Book Fairs, Book Swaps, and Book Talks can build bridges and invite open conversations to create compassionate classrooms and communities. Between the covers can lie stories and tales reflecting friends and adventure set in a world readers will find familiar or a chronological text that takes one into a new world can all be discovered by the sharing of children’s picturebooks. Animals, tall-tales, friends, and recipes all dwell inside the pages of children’s picturebooks and informational topics spanning space, plants, or spiders all peacefully cohabitate in the classroom library.

    Ready, set, read

    There’s no bad time to enjoy a picturebook. An after recess read-aloud can provide the perfect time to showcase the magic and splendor of children’s picturebooks. Book clubs and reading circles present a scheduled time for students to gather in nested learning communities to explore common themes on related topics. Book Buddies offer the opportunity for younger readers to have self-selected children’s picturebooks read to them by a fluent reading mentor or guide. Ebooks and iPads provide an audio narration of children’s picturebooks allotting students’ time for independent listening along with guided practice and rehearsal. 

    When books are read, discussed, shared, displayed, and made available for checkout to support at-home literacy, blooming readers are presented with the opportunity to embrace reading, meaning, and the full discovery of literacy.

    Curriculum connections 

    Children’s picturebooks set the stage for expanded learning opportunities. Children’s picturebooks can be paired with upcoming field trips and serve as learning guides or resources to prepare students for their upcoming adventure to the local zoo or regional museum. Also, children’s picturebooks can be incorporated into social studies content and STEM topics, and can marvelously merge with math instruction. Science projects, graphic organizers, and historical timelines can be completed with the content of children’s picturebooks. 

    In addition to providing a bevy of words, children’s picturebooks provide young learners with the tools to explore, understand, and help solve community problems, such as the need for food drives to address food insecurity and book drives to stock local family shelters with donated books so that all children might experience the joy of reading.

    The sharing of children’s picturebooks could be followed by students writing a group, paired, or class review of the book or even the invitation of a local speaker to further address the topic or theme of the children’s picturebook in person or via technology. Librarians at local libraries can  recommend additional titles that students might enjoy available for check-out or inter-library loan for the classroom library.

    The world of literacy as captured in children’s picturebooks is an ever-bountiful harvest that gives, restores, and grows. May our children find their faces, their classmates, new neighbors, far-away places, and amazing adventures in the pages of children’s picture books.

    The read-aloud book basket

    • Friendship/Classmates: The Day the Crayons Made Friends by Drew Daywalt and Oliver Jeffers (Penguin Young Readers Group)
    • Words/VocabularyThe Dictionary Story by Oliver Jeffers and Sam Winston (Candlewick Press)
    • Science/Trees: Listen to the Language of Trees: A Story of How Forests Communicate Underground by Tera Kelley (Sourcebooks)
    • Animals/Spiders: Jumper by Jessica Lanan (Roaring Brook Press)
    • Family/Acceptance: Eyes That Kiss in the Corner by Joanna Ho (HarperCollins)
    • Food Insecurity/SEL: Saturday at the Food Pantry by Diane O’Neill (Whitman, Albert & Company)
    • Grief/Empathy: Cape by Kevin Johnson (Roaring Brook Press)
    • Books/Library: Stacey’s Remarkable Books by Stacey Abrams (Harper Collins)
    • PE/Recess: Ella McKeen, Kickball Queen by Beth Mills (Lerner Publishing Group)
    • Social Studies/HistoryFry Bread: A Native American Family Story by Kevin Noble Maillard and Juana Martinez-Neal (Roaring Brook Press)

    Learn More

    Centering Bilingual Books in Every Literacy Classroom

    Literacy Today magazine: Reflecting Every Reader
    Read More
  • Smaller Thumbnail
    • English Language Arts
    • Topics
    • Children's Literature
    • Teaching Strategies
    • Content Areas
    • Writing
    • Classroom Teacher
    • Foundational Skills
    • Student Engagement & Motivation
    • Job Functions
    • Children's & YA Literature
    • The Engaging Classroom
    • Content Types
    • Blog Posts

    Writing as Play: Engaging Elementary Students

    Morgan Brandt
     | Jun 05, 2025
    Elementary school notebooks

    A pastor at my church, Steve Treichler, recently shared, “People do that which is fun.” Though he was instructing on leadership-building qualities and how to get community members to engage, the same pithy insight applies in the classroom: If you want your students to be engaged, make it fun. Effective teachers know good writing instruction must include explicit, academic tasks, but if personalization and fun are absent from writing, we will quickly lose our students. Having fun not only increases engagement, it builds relational bonds, crafts memories, produces more resilient children, and, ultimately, results in kids enjoying school and learning. 

    As a current first grade teacher who has taught a range of elementary grades, I recognize that teachers today are faced with more pressure than ever. When faced with a shortage of time and a heavy load of standards, unfortunately, writing is often cut first for the sake of time. There is too much at stake if we lose budding, creative, unique writers and thinkers to a diet of only academic, serious writing, or cut it out altogether. In the name of joy, I make a case here to elevate practices of writing for authentic audiences, playing with words, and celebrating together.

    Involving Others

    Writing is an inherently social activity contrary to the mental image of a student writing independently at their desk. Partner writing, sharing published writing, and authentic audiences are an easy onramp to engage students in social, joyful, purposeful writing. Sharing writing builds teamwork and the writing community by allowing students to listen and learn from each other, take risks, give feedback, and exchange praise.

    Each year, I compile finished writing projects into class books that are available in the classroom library, which thereafter brings weeks of enjoying friends’ writing, all while fostering connections as classmates. Around each Valentine’s Day, I introduce letter writing to authentic audiences, which includes sending letters to people around school. This links writing to a meaningful purpose: To connect with those you care about. Writing a thank-you note to a cafeteria worker or setting up a classroom mailbox for letters to classmates goes a long way toward building students’ writing agency and excitement that their writing has the potential to brighten someone’s day. 

    A picture of a bookbag, composition notebook, plush toy, and book

    Writing as Play

    Beyond summaries, paragraphs, and essays, students need opportunities to laugh, make mistakes in a silly way, and stretch creative muscles in writing if we ever expect them to return on their own. Using mentor texts as a model for playful ideas is a surefire way to prime the pump of joy and creativity in young writers. After reading some excerpts from books like Scranimals by Jack Prelutsky or If You Give a Mouse a Cookie by Laura Numeroff, students get carried away in their own story creations modeled after a wonderful, out-of-the-box structure. A colleague even created an “If You Take a Mouse to School” home-to-school class book bag with a notebook and mouse stuffed animal (pictured above) to send home to families for the chance to continue the mouse’s adventure outside of the writing block by creating their own pages.

    From tying in games like Telestrations, where a small group alternates drawing and writing sentences, during indoor recess, to writing nonfiction facts as riddles to guess the object, to using silly words from a word bank to make poems, there are many simple writing activities that leverage fun. These are powerful, low-prep experiences that model to students we do not only write for academic purposes, but because writing allows us to think in new ways, bonds us together, and makes us laugh. Ultimately, we write because we enjoy it.

    Celebrating

    A bucket full of classroom foldersFinally, one of the best ways to create a culture of writers and ensure joy is to celebrate! Writers need to know that their work and thinking are celebrated, and worthy of shared delight. Often in my classroom, I elevate sharing at the end of a unit by the practice of the author’s chair, zhuzhed up with a red curtain projected on my screen. Intermediate elementary students love the prop of a microphone. After particularly satisfying journeys through the writing process, our class celebrates with a publishing party, complete with apple juice and popcorn to cheers each writer after they share in a small group of three to four peers. This celebratory sharing can also be modified to fit in a couple students at a time during morning meeting or closing circle, followed by finger snaps of recognition.

    Young writers deserve to experience joy, choice, and delight in writing if we expect them to share their thoughts beyond academic contexts and develop as thinkers and word lovers. Though writing does give us the skills to summarize and convey the main ideas of what we learn, to sever the craft from personal expression and reflection is doing a disservice. Students are academic learners, but they are also thinkers and feelers who must experience writing socially and joyfully if we ever expect them to write with their authentic voices throughout their lives. And isn’t the goal for children to use writing to tell someone they care, to bring about change in their communities, and to inspire joy no matter where life takes them?

    As a teacher who faces the Tetris puzzle of fitting in all of the academic demands, I urge teachers not to neglect the necessity of writing for fun. With some brainstorming, we can take simple steps to craft our students’ attitudes about writing to be social, playful, and celebratory in ways that keep young writers eagerly picking up their pencils with a smile.

    Morgan Brandt is a first grade teacher in Mounds View, Minnesota, where she loves fostering joy and play as her students learn. She has taught elementary grades 1-5 and holds bachelor's degrees in elementary education and Spanish education from the University of Northwestern, St. Paul, and a K-12 Reading License from Concordia University, St. Paul. She is currently pursuing a master's in literacy.

    Learn More

    Finding Purpose Outside the Classroom: Motivating Adolescents in the Tier III Reading Setting 

    Literacy Today
     magazine: Reflecting Every Reader
    Read More
    • Children's & YA Literature
    • Topics
    • Teaching Strategies
    • Teacher Preparation
    • Teacher Educator
    • Student Engagement & Motivation
    • Reading
    • Professional Development
    • Literacy Education Student
    • Inclusive Education
    • Foundational Skills
    • Content Types
    • Classroom Teacher
    • Classroom Instruction
    • Blog Posts

    Empowering Future Teachers: How Fairytales Foster Cultural Competence

    Ivonne Miranda
     | Apr 24, 2025
    elementary school children reading with a teacher
    Fairytales have always been part of the American classroom. These stories not only foster cultural awareness, but they can also be a tool to prepare preservice teachers to create inclusive classrooms by embedding translanguaging in writing. Strategically using fairytale writing as a tool in a teacher preparation program enhances a culturally sustained pedagogy by allowing preservice teachers to connect with diverse cultural stories and validate the linguistic repertoire of multilingual learners.

    However, to fully realize this potential, teachers must be equipped to recognize and address the diverse cultural and linguistic backgrounds of their students. According to the National Center for Education Statistics (NCES), in 80% of teachers in 2020 were white while the student population was increasingly diverse—culturally and linguistically—a population that teachers do not reflect. This disparity highlights the urgent need for teacher preparation programs to prioritize cultural competency and equip future educators to effectively weave students' cultural background into their teaching for truly culturally sustained pedagogy.

    In the arts integration course I teach, preservice teachers learn about the various arts that can be integrated into the curriculum. I find that literary art in the form of creating fairytale adaptations can open the door to preservice teachers becoming culturally competent. Even though individual fairytales are unique to their specific culture, the similarities they have serve as a bridge that helps preservice teachers understand culture and language, and writing fairytale adaptations requires both a deep knowledge the originating culture and the activation of developing the same translanguaging practices that multilingual students use as part of their linguistic repertoire.

    Getting started

    I begin my literary arts module by asking who knows the story of the three little pigs or Cinderella, which of course many students do. When I show my students The Three Little Pigs by Paul Galdone, the preservice teachers recognize it, but when I show them The True Story of the 3 Little Pigs by Jon Scieszka, few students do. Further, when I introduce The Three Little Javelinas by Susan Lowell, The Three Little Tamales by Eric A. Kimmel, and The Three Little Gators by Helen Ketteman, no one has heard of these adaptations. This makes a perfect opportunity to teach how to design and facilitate culturally relevant learning that brings real-world experiences into educational spaces.

    We start by comparing and analyzing the mentor texts based on their story elements and writing style. I task my students to find other fairytales and their adaptations. Some of the more common ones include Cinderella by James Marshall and adaptations such as Yeh Shen: A Cinderella Story from China by Ai-Ling Louie, Isabella: A Cinderella Fairytale of Latina Princess (Puerto Rican Princess) by King Ki'el, and Sindi: A Zulu Cinderella by Desaeay Mnyandu. For Little Red Riding Hood by James Marshall, students have selected Mahogany: A Little Red Riding Hood Tale by JaNay Brown-Wood and Lon Po Po: A Red Riding Hood Story from China by Ed Young as adaptations.

    Comparing and analyzing mentor texts

    Now that we have a few to choose from, my students compare and analyze these mentor texts, identifying things like the target audience and any writing techniques such as dialogue between characters that represent a blend of home language and English used by the author to enhance a culturally sustained pedagogy. We create five-column charts to easily see the similarities and differences of each fairytale adaptation. By comparing and analyzing story elements, preservice teachers can begin to see how authors have reframed traditional fairytales with a cultural lens.

    In addition, writing techniques are analyzed to identify how the author has embedded translanguaging (e.g., “Tío José and Tía Lupe owned a taqueria” and “He built his casita out of cornstalks”) and cognate words (e.g., tortilla and tamale) as seen in The Three Little Tamales. This analysis also gives preservice teachers awareness of the multi-dialectal nature of language in American society and the social constructs of different dialects, including the learner's natural way of talking, as demonstrated in The Three Little Gators when the author writes, “It’s time you young ‘uns set out on your own.”

    Writing an original fairytale adaptation

    After preservice teachers have gained a deeper understanding of how authors' adaptations create an inclusive learning space for all readers, they write their own fairytale adaptation. Regardless of their demographic, I have my students research a culture different from their own. This critically reflective practice helps preservice teachers engage in the use of story elements and how character development, setting, problem, and solution align to that specific culture while staying true to the plot of the fairytale. A key component of this lesson is the appropriate use of translanguaging, cognate words, and the dialects of how learners speak in the final assignment.

    Writing fairytale adaptations gives preservice teachers awareness of their own cultural biases and assumptions, and the opportunity to demonstrate cultural inclusivity and responsiveness when teaching fairytales to elementary students. This prepares future teachers to understand how to use writing methods in order to be culturally competent and empathetic educators while developing a culturally sustained pedagogy. 

    Ivonne Miranda has been an urban educator for 23 years. She is currently assistant professor, supervisor of field experiences and student teaching, and director of the graduate program at Cedar Crest College Education Department. She has the Celebrate Literacy Award from the Keystone State Literacy Association Central Eastern Region for her work with pre-service teachers publishing diverse children's literature, and has also been published in Literacy Today.

    Learn More

    Boosting Literacy Skills With Word Games: Fun Puzzles for the Classroom

    Literacy Today magazine: Reflecting Every Reader
    Read More
    • Volunteer
    • Topics
    • Retiree
    • Reading Specialist
    • Policymaker
    • Other/Literacy Champion
    • Literacy Education Student
    • Literacy Coach
    • Librarian
    • Job Functions
    • English Language Arts
    • Content Types
    • Classroom Teacher
    • Children's & YA Literature
    • Children's Literature
    • Blog Posts
    • News & Events
    • ILA News

    ILA Choices Reading Lists Live on With New Name, New Home

    By Lara Deloza
     | Feb 14, 2023
    Choices_680w

    In June 2020, conditions created by the COVID-19 pandemic caused ILA to pause the popular Choices reading program. When it was clear that the ongoing disruptions to in-person schooling and necessary safety precautions once buildings reopened would make it near impossible to resume the project, the International Literacy Association (ILA) made the difficult decision to let it go.

    Retiring Choices, however, was not an option. ILA was determined to rehome the reading lists—which launched in 1974 with Children’s Choices and later expanded to include Young Adults’ Choices and Teachers’ Choices—with an organization that would honor the spirit of the program and produce lists with the respect and care they deserved. The obvious choice: The Children’s Book Council (CBC). For years, CBC cosponsored the Children’s Choices list, and in 2019 it also began cosponsoring its counterpart for young adults.

    In June 2021, a year after announcing the COVID pause, ILA signed a Memorandum of Understanding (MOU) granting CBC full permission to give the Choices project a second life.

    CBC Executive Director Carl Lennertz said his organization’s top goal was “to maintain the success and qualities of ILA’s Choices programs and build on the reach of the programs by expanding participation while developing sustainable processes.”

    Fast forward to May 2022, when—after months of gathering feedback from the Choices volunteer network and other key stakeholders—CBC relaunched the project as the Favorites Lists.

    Like Choices, the Favorites Lists are curated by readers themselves. CBC recruited 80 review teams spanning schools, public libraries, and independent bookstores across the United States. Through a revamped process, the organization was able to put 1,500 books—roughly 100 copies of each publisher-submitted title—into the hands of readers across the country.

    The first annotated collection of Children’s Favorites, Young Adult Favorites, and Teacher Favorites Lists are set to publish in May 2023. 

    Lennertz says that CBC feels “a great debt of gratitude” for ILA and the decades invested in the three Choices lists, which Lennertz characterizes as a “go-to resource for educators, librarians, and caregivers.”

    The feeling is mutual. “We are thrilled that the Children’s Book Council will carry on the Choices tradition,” says ILA Executive Director Nicola Wedderburn. “We feel confident that the new Favorites Lists will continue to identify high-quality, engaging books that foster a love of reading in people of all ages.”

    To learn more about the CBC’s Favorites Lists, visit https://www.cbcbooks.org/readers/reader-resources/favorites-lists/.

    Read More
    • ~9 years old (Grade 4)
    • ~13 years old (Grade 8)
    • Blog Posts
    • ~14 years old (Grade 9)
    • Writing
    • ~15 years old (Grade 10)
    • Children's & YA Literature
    • Comprehension
    • ~10 years old (Grade 5)
    • Classroom Teacher
    • Foundational Skills
    • ~16 years old (Grade 11)
    • ~5 years old (Grade K)
    • Job Functions
    • ~12 years old (Grade 7)
    • Listening
    • ~6 years old (Grade 1)
    • Reading Specialist
    • Administrator
    • ~18 years old (Grade 12)
    • ~8 years old (Grade 3)
    • ~7 years old (Grade 2)
    • Other/Literacy Champion
    • Tutor
    • Reading
    • Topics
    • ~11 years old (Grade 6)
    • Student Level
    • Librarian
    • Literacy Coach
    • Content Types
    • 21st Century Skills
    • ~17 years old (Grade 12)
    • Digital Literacies

    Crayola Creativity Week: A Seven-Day Celebration of Creativity Starting Jan. 23

    Sponsored Content
     | Jan 13, 2023
    Creativity Week Banner

    Looking for a way to turn the winter blahs into a vibrant celebration of every child’s creativity? Crayola Creativity Week 2023, which starts on January 23, is exactly what you are looking for! But you don’t need to wait until the 23rd to get started. Visit the Crayola Creativity Week website for resources, activities, and giveaways­­––all available with a free registration­­––as well as to see the calendar of events and list of celebrity creators who are part of the 2023 Crayola Creativity Week lineup.

    Crayola Creativity Week is about more than just free stuff to use in your classroom. It’s a seven-day celebration of children’s innate creative mind-sets. With activities and events geared toward a specific daily theme and a livestreamed special assembly on Friday, January 27, Crayola Creativity Week provides everything both educators and children’s families and caregivers need to keep students engaged and innovating all week long! Each day focuses on a creative theme and a special children’s book, and includes unique celebrity-led video activities, curriculum-connected resources, and all kinds of activities to unleash every child’s original ideas.

    Let’s take a look at what’s in store for your students.

    Here’s the lineup!

    • Monday, January 23: Endless Possibilities
      Crayola Creativity Week launches with guest appearances from NASA space explorers, who are part of the team making the Artemis mission possible, and illustrator, Shane Tolentino. NASA astronauts will read the book You Are Going, and Tolentino will lead an art activity. Students will be captivated by the awesome possibilities of a STEAM career at NASA.
    • Tuesday, January 24: Building Dreams and Community
      Actress and singer Ali Stroker––who was the first wheelchair-using actor to appear on Broadway and win a Tony––and illustrator Gillian Reid share they spotlight on Tuesday as the share their  book Ali and the Sea Stars and inspire students to put on a play, illustrate dramatic facial expressions, and reach for stars. Their special message? Go after your dreams with the help of a supportive community.
    • Wednesday, January 25: Dancing with Traditions
      Author Ria Thundercloud and illustrator Kalila Fuller get the day moving with their book Finding My Dance. Thundercloud's story will inspire young creatives to connect culture, identity, and self-expression. Fuller will show learners how to draw and illustrate nature-inspired patterns and dance poses. It’s art. It’s music and dance. It’s creativity in motion.
    • Thursday, January 26: Language and Laughter
      Giggles and guffaws are center stage with comedian and Impractical Jokers star James “Murr” Murray and comedy writer Carsen Smith. Laughter is the main course of the day as these two celebrity creators share their book Area 51 Interns: Alien Summer. Students will get the inside story on creating illustrated idioms and collaborating to create improv art.
    • Friday, January 27: Keys to Kindness
      Cast members from the new movie musical Lyle, Lyle, Crocodile will read the book that inspired the film: The House on East 88th Street by Bernard Waber. Winslow Fegley, the 13-year-old actor and artist who stars as Josh Primm in the film, will make a special appearance to encourage children to embrace change by cooking up creative solutions and illustrating the keys to kindness that can lead us to unexpected and wondrous friendships.
    • Friday, January 27: Crayola Creativity Week Livestreamed Assembly Event
      For kids, teachers, families, and everyone around the world who loves to create, this livestreamed event is headlined by special messages from Olympic Champion and three-time World Champion figure skater Nathan Chen and 13-year-old actress Lyric Hurd who plays Trudy in Lyle, Lyle, Crocodile. And to keep the creative momentum moving, this event includes the premiere of the new dance along from KIDZ BOP.
    • Saturday, January 28: Self-Confidence and Student Voice
      Have fun with the whole family as Darryl “DMC” McDaniels, cofounder of the legendary hip-hop group Run DMC, will inspire kids to use their voices to build confidence and express themselves. Illustrator Tristan Tait will lead a draw-along for kids of all ages, creating doodles to help us learn to express our best selves.
    • Sunday, January 29: Weathering Emotions
      TODAY Show cohost and meteorologist Dylan Dreyer and illustrator Rosie Butcher share their book Misty the Cloud. Kids will learn about words that can describe both the weather and human emotions such as sunny, stormy, turbulent, and calm. Art activities are part of the day’s forecast as the whole family creates cloud characters based on science and use layered art materials to create a weather scene.

    Participation is free, flexible, and filled with fun!

    Teachers, librarians, and families can access complete details and register online at www.crayola.com/creativityweek. Last year, for the inaugural Creativity Week celebration, more than 12,500 schools, classrooms, libraries, and homes participated in the inaugural 2022 Crayola Creativity Week , reaching more than 2 million students and 115,000 educators in all 50 U.S. states and 26 countries around the world. Educators’ experiences are exemplified by these quotes: “Students enjoyed expressing their ideas through illustration! The power of the imagination is priceless!” and “Wow! My students really understood yesterday’s challenge. It seems we may have some future authors and illustrators in our class!” We hope you will join and enjoy the festive fun in 2023 and make this year even better!

    To help educators plan their own Creativity Week celebration and activities, Crayola has made curriculum-aligned activities, video resources, and standards alignments available on the Creativity Week website. Detailed FAQs can help answer any questions participating educators may have and help secure buy-in from administrators and school or district leaders. Participate every day or just tune in on select days for specific themes––whatever works best for your students and schedules.

    Share your own and your students’ experiences and activities­­––and follow along to see what other classes are doing––by using the hashtag #crayolacreativityweek on social media.  Artwork and projects created by students in grades pre-K–12 and shared along with the #crayolacreativityweek tag might end up on Crayola’s Student Gallery!

    Use Creativity Week to turn the last week of January into a celebration of reading, writing, drawing, dancing, dreaming, singing, and acting. Let students explore new career connections, new ways to innovate, and new ways to express and receive real kindness. It’s a colorful way to encourage every child’s aspirations, curiosity, and ability to solve problems. And that’s how beautiful possibilities begin.

    Let’s get creative!

    Read More
Back to Top

Categories

Recent Posts

Archives